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https://www.theguardian.com/environment/2014/mar/12/animals-...
The story man was glassy-eyed
He told me about the power lines
And in subarctic caribou eyes
The metal wires burst into life
I would wager a majority of the people who have complaints about electric wires and poles would pipe up the moment their electricity went out. Yes, we can have both (have electricity without the wires, but people should have perspective.
Back in the 40's having the electric company put up poles and bring electricity to town was a moment of celebration not curmudgeonry.
In the neighborhood where I grew up, there were transmission towers that went through about 200 meters away from my house. During the winter when we got freezing rain I could hear them crackle slightly. All the other infrastructure was buried, the transmission towers were the only overhead lines.
If that kind of aesthetic tickles your fancy, the video game Flower (2009) has moments like that: https://en.wikipedia.org/wiki/Flower_(video_game)
Somewhat relatedly, I have another dog whom I was taking for a walk, and we both watched a flock of geese fly real low. One of the geese caught a power line and was instantly killed, dropping to the ground after a loud pop. The smell of electricity and literal cooked goose were in the air. My poor dog was so traumatized that for some weeks afterward, she would cower whenever she saw power lines, birds, or even airplanes.
Anyway, (not just) Japan has a long history of art with a juxtaposition of the ancient and the modern. The prints are talked about in the article. This might be what a lot of subsequent anime's aesthetic is based on, as we also see stuff like Goemon Ishikawa XIII (a throw back to 16th century) in the Lupin III anime (which is set in contemporary times). It's a trope all its own.
Even in modern art, we see power lines as a focal point of art, as in Arthur Dove's work: https://www.metmuseum.org/art/collection/search/488540